Gail Anderson-Dargatz  

Resources for Writers

On Getting to Know Your Characters

Dinner With AlienA lot of writing guides and other writers will tell you that you should decide who your character is before you sit down to write. That's good advice, but when it comes down to it, the way to really get to know your characters is the same way a reader will get to know them: by what they say or do on the page.

After I’ve done research on my subject and brainstormed on it, I sit down and write scene, starting with just dialogue, action and beats. Instead of writing exposition, where I tell the characters what they’re up to, I let go of the reins and allow my characters to tell me who they are by how they interact with other characters and how they respond to the situation I throw them into.
 
Apprentice writers often think a reader needs to know a character before the story can get underway. We often stuff our openings with a character's history and flashbacks in an attempt to offer a psychological profile, say, or provide motivation. But we don't need to get to know a character all at once. In fact, I suggest it’s best that we don't. Imagine going out on a date with that person who won't stop talking about themselves. Yeah, that.
 
Instead, in that opening, and as we introduce a character, we generally want to get to know who that character is now, within their scene of conflict, rather than who that character was in the past. It may be very useful to build a character history for yourself and get to know your character that way. But you don't need to give it all to the reader. If you do, you may end up with a classic information dump, an exposition-heavy opening. We're back to the old show, don’t tell.
 
In short, you want to allow a character to grow over the course of the story, as much for yourself as for the reader. If you provide the character history and personality profile up front, you'll find that your character becomes defined by it. You may even run into the problem where the exposition or explanation you give about the character doesn’t match how the character actually acts. It's sort of like how people's social media profiles rarely reflect who they are in real life.

If, on the other hand, you allow your characters to reveal themselves to you, the author, in scenes of action and dialogue that you write, then you'll have a much more dynamic and rich character who evolves.

What to know more? Here's How to Write a Dynamic Protagonist.

Resource Categories

Blogs on Craft

On the Building Blocks of Fiction

Tips on how to craft vivid scene that allows the reader to experience events right along with the characters.

On Finding Your Big Idea

Insights into the writing process and what a writer's day really looks like, as well as perspectives on research and writing from real life.

On Getting to Know Your Characters

Advice on the many ways you can make your characters come alive on the page for both you and your reader.

On Deciding on Point of View

What is the best perspective from which to tell your story? Writers discuss how they made choices on point of view and voice.

On Choosing Your Situation and Setting

Writers talk about how they use situation and setting to build story and convey emotion.

On Developing Conflict and Structure

From how to work in different genres to finding the real story, writers offer good advice on building conflict and structure.

On Revising

Tips on how to gain distance from your work and to how to re-imagine your next draft.

On Publishing

Writers offer practical advice on the business of writing and promotion, and on the importance of finding a writing community.

On Making a Living as a Writer

Writers offer words of wisdom on living on less.

On The Writer's Life

Writers talk about their life as a writer.

About Gail

Gail's novels have been national and international bestsellers and two have been short-listed for the Giller Prize, among other awards. She works with writers from around the world on her online teaching forums.