Gail Anderson-Dargatz

Mentoring and Editing

Gail Anderson-Dargatz

Work with Gail

Explore Our Services for Writers

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Fiction Mentorship

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Clean Sweep

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Group Workshops

Workshops for Groups

About:

workshopsGail offers readings and writing workshops for many organizations, both in-person and on Zoom, and will sculpt a presentation to suit your needs. Book club and private writing group events on Zoom are free. Honorariums for library events and public writing workshops vary from $200 to $400 depending on workshop length and nature of the funding. Funding for events may be available through TWUC, of which Gail is a member, with the National Public Readings Program. For more, contact Gail's office.

Here's a sample of writing workshops that Gail offers:

From Literary to Thriller: Crossing Genres to Add New Life to Your Craft

Writers too often get stuck writing in just one genre. In this workshop, bestselling novelist and writing mentor Gail Anderson-Dargatz offers her own experience to demonstrate how borrowing from the toolboxes of other genres can breathe new life into our craft and writing lives and open the door to new markets.

Writing Hi-Lo Books for the Educational Market

People think writing for kids is easy, but any writer who publishes children’s or YA fiction will set you straight: writing for kids is hard. Writing hi-lo books for striving readers is even harder, but also highly rewarding, and there is a growing market for high-interest, low-reading-level books. In this interactive workshop, award-winning novelist Gail Anderson-Dargatz will talk about the craft involved in writing hi-lo books, a vibrant market that many writers aren’t aware of.

Sculpting a Good Idea into a Great Book

Many book manuscripts suffer from a lack of thorough development. This can stand in the way of their potential for success, or even prevent them from being published. In this interactive session, award-winning novelist and writing coach Gail Anderson-Dargatz explores the steps and strategies of development editing that help turn a good book idea into a great book.

Writing Home

We’ve all heard the phrase “write what you know” but writing fiction from real life isn’t easy. We worry about what mom will think. We worry if we have the right to tell the story, or write about a given location. We get stuck in reality -- what “really happened” -- and our fiction flounders because of it. In this workshop, we’ll explore all these issues and more with the goal of writing powerful fiction that has the authority that can only come from “writing what you know."

Overcoming Our Fears to Write Powerful Stories

Our fears can stop us from finishing a book -- or even starting it. We may feel we need to stick to writing only what we know, and write from personal experience, but then worry about what Mom will think. And we so often avoid our protagonist’s conflicts, for the same reasons we avoid our own. The result: passive protagonists and wandering storylines. Author and writing coach Gail Anderson-Dargatz will draw from more than twenty years of experience as a writer, teacher and developmental editor to explore the many ways we avoid conflict in our projects and our writing lives, and offer solutions that will help kickstart your writing and help you develop your project to the fullest.

Pantser or Planner? Approaches to Plotting Your Novel

The real work of the novelist is developing conflict and structure, and most writers struggle with it. Fortunately, past writers have done the heavy-lifting. Gail will offer an overview of approaches to constructing plot, whether you’re writing literary or commercial fiction. She’ll follow up with exercises you can do at home to help you better understand story and the outlining process.


Workshops for Groups (continued)

Neurodivergent Writer's Circle:

Meet like-minded writers self-identifying as highly sensitive, ADHD, on the spectrum or gifted. We'll talk a little about our traits as we explore how our quirks and anxieties can play out on the page.

Submitting Your Writing 101:

Getting our work out there can feel like an overwhelming task. Where do we even begin? In this presentation, Gail offers an overview of the steps involved in getting your writing published, from finding markets open to submissions to writing a query letter. Whether you're ready to get your short work or your book-length project out there, Gail will offer guidance that will help you find a home for your project.

POV 101:

Choosing and maintaining point of view can be a challenge. In this workshop, we'll discuss POV options and how to avoid head-hopping.

Writers Writing about Writers Writing:

We often take the advice to “write what you know” too literally, making our protagonist a writer or researcher, like us. Through discussion and an exercise, Gail will talk about why this can be a problem and what steps we can take to make our protagonist a truly dynamic and active character.

Step Outside and Jumpstart Your Writing:

Whether we're reworking our project or starting a new one, we need to feed our muse. Stepping outside our comfort zone recharges our writing like nothing else. Gail will offer strategies for finding our stories out there in the big wide world, and for engaging our senses so we can engage our readers.

Interview to Build Your Story:

Interviewing adds depth to both non-fiction and fiction projects. In this workshop you'll practice your interviewing skills. Bring your notepad!

Engage Your Reader's Senses:

To engage readers, writers must engage their senses. Come prepared to engage yours in a fun writing exercise.

Develop Your Characters:

In our early drafts, characters are often passive and not always likeable. We'll discuss how to make your protaongist active, one your reader will fall in love with.

Thrills and Chills:

In this interactive workshop, we'll discuss writing both thriller and horror fiction, and how it's not always what you think. Bring your ghost stories!

Using Setting to Express Emotion:

In this workshop, we'll explore how to use setting and situation, and the objects found there, to convey character emotion.

Blue Pencil Sessions:

Bring a 2000-word sample of your manuscript to an online or in-person meet-and-critique event with award-winning author and writing coach Gail Anderson-Dargatz. Ask those pressing questions about craft or the publishing industry in this quick 20-minute session.

Testimonials

Christine Fischer Guy

"Gail’s model suited me right down to the ground, exactly the right combination of close reading, thoughtful feedback, and enough space to work these questions through in my own time. She’s an intelligent and experienced manuscript midwife with an uncanny ability to see to the heart of what I was trying to do. I appreciate her guidance immensely!"

-- Christine Fischer Guy author of The Umbrella Mender (2014) and The Instrument Must Not Matter (2026).

Christine Fischer Guy

Tara Gereaux

"Gail is an incredible editor. She has an innate ability to understand what I’m trying to do with my writing and to help me see what I need to do to get where I want. The best part about working with her is her supportive, encouraging approach. She’s a writer, she gets it – she knows how hard writing can be – but when I’m working with Gail, it always feels a little bit easier and a little more fun. Can’t recommend her highly enough."

-- Tara Gereaux has published two books of fiction and was the recipient of the Colleen Bailey Memorial Award from the Saskatchewan Foundation for the Arts, and a REVEAL Indigenous Art Award from the Hnatyshyn Foundation.

Tara Gereaux

Matthew Hooton

"Gail's developmental edits were superb. Her attention to the manuscript's structure, to themes and emotional resonances, and to the character creation were at once challenging, sophisticated and encouraging. And she draws on a range of excellent resources. I've not seen anything quite like it in twenty-five years in the industry."

-- Dr. Matthew Hooton, author of Deloume Road, Typhoon Kingdom, and Everything Lost, Everything Found, longlisted for the ARA Historical Novel Prize 2025. Dr. Hooton is a lecturer at the University of Adelaide.

Matthew Hooton

Jessica Waite

"Gail is the total package: brilliant writer, keen-eyed editor, ace story architect, and warm genuine human. The structural foundation she taught saved me years of floundering in the dark. Thank you Gail!"

-- Jessica Waite, author of the Widow's Guide to Dead Bastards,  one of The Globe and Mail's best 100 books of 2024.

Jessica Waite

Darcy Friesen Hossack

"By the end of the first draft, I'd rediscovered colour in a world that had faded to black and white. I can not thank Gail enough."

-- Darcy Friesen Hossack, Danuta Gleed runner-up and Commonwealth Prize-shortlisted author of Mennonites Don't Dance  and Stillwater.

Darcy Friesen Hossack

Kelly S. Thompson

"Not only did Gail help me to polish my prose, but she also showed my how to believe in my own work, how to play, how to explore language with the writer's tools. What a gift, to have someone champion your work in a way that makes you, the writer, feel seen."

-- Kelly S. Thompson, national bestselling author of Girls Need Not Apply: Field Notes from the Forces.

Kelly S. Thompson

Lise Mayne

"Time Enough became the novel I longed to create thanks to Gail’s expert advice and encouragement. Gail helps writers find the heart of their own story, the mark of the very best teachers. I highly recommend her as a professional mentor and a sincere guide."

-- Lise Mayne, author of Time Enough.

Lise Mayne

Elle Wild

"Gails fiction course was the best class I have ever taken. Full stop. Her notes and analysis were invaluable and I still use the creative exercises she shared with us."

-- Elle Wild. #1 bestselling author of Strange Things Done and winner of the Arthur Ellis Award for Best Unpublished First Crime Novel.

Elle Wild

Maia Caron

"Perhaps there's no greater proof of a manuscript editor's work than when the writer they mentor gets a publishing contract, but what I found most valuable was applying Gail's insightful comments when I began to plot a new book."

-- Maia Caron, author of Song of Batoche

Maia Caron

Daniel Griffin

"Gail has been a great help to me for many years, reading my novels and stories and providing practical, clear and meaningful feedback. Her focus on the structure of a story, its arc, the conflict that drives it and the development of characters and their transformation has been invaluable."

-- Daniel Griffin is the author of Stopping for Strangers and Two Roads Home.

Daniel Griffin

Leila Marshy

"I've been writing my whole life, but in the past two years I can say that Gail has pretty much taught me everything I now know. I am convinced that without Gail's ministrations, my novel The Philistine would not be enjoying its current success"

-- Leila Marshy, author of The Philistine.

Leila Marshy

Nerys Parry

"(Gail's) greatest gift is her passion. She truly loves the craft and throws her heart into her work as not only a teacher but also as a coach and inspiration to aspiring writers. She always knows just how far to push you without breaking you, and if you let her, she can help you become a far better writer than you ever imagined..."

-- Nerys Parry, author of Man & Other Natural Disasters, a finalist for the Colophon Prize and tied for seventh in the Giller Prize Reader’s Choice Awards.

Nerys Parry

Jennifer Manuel

"Gail has a firm grasp on what effective mentorship looks like: supportive, challenging, fully engaged. Immediately Gail got to the heart of my novel’s problem and then worked with me to find possible solutions, pushing my craft to a higher level and deepening my understanding of narrative structure. It was nothing short of a shattering breakthrough.”

-- Jennifer Manuel, author of The Heaviness of Things That Float

Jennifer Manuel

Liisa Kovala

"Working with Gail during an early stage of my historical fiction manuscript was like taking a masterclass. Both my novel and my skills as a writer improved through her guidance. Best of all, Gail is not only knowledgeable about everything to do with writing, she is also delightful to work with."

-- Liisa Kovala, author of Surviving Stutthof: My Father's Memories Behind the Death Gate and Sisu's Winter War.

Liisa Kovala

Emily De Angelis

"Gail was knowledgeable, thoughtful, and kind as she coached me through the process. Her feedback validated my journey and help me to move forward with my story in countless meaningful ways..."

-- Emily De Angelis, author of The Stones of Burren Bay.

Emily De Angelis

Maggi Feehan

"Gail is nothing short of an editing genius. She has the rare ability to give feedback laced with compassion, appreciation and respect... that will inspire you to go back to the page and transform your narrative, words and characters in truly remarkable ways."

-- Maggi Feehan, author of The Serpent's Veil

Maggi Feehan

Kimmy Beach

"I'm so happy I chose Gail as my first foray into the world of hiring an outside eye. I've loved her work for ages, and hoped her insight would take my new project where it needed to go. I'm overwhelmed with gratitude (and work!). Thank you, Gail. You 'get' me."

-- Kimmy Beach, author of The Last Temptation of Bond.

Kimmy Beach

Chris Tarry

"Working with Gail has become the measure by which I rate every workshop I've taken, or will ever take. And she has set the bar impossibly high. To study with Gail is to understand the plight of the Apprentice Writer, to take solace in her direction, and to witness one's growth in virtually real time."

-- Chris Tarry, four-time Juno Award winner and author of How to Carry a Bigfoot Home.

Chris Tarry