Gail Anderson-Dargatz

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Gail Anderson-Dargatz

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Are you an engraver or a sculptor?

"The ideal entry is...to ingress without causing a ripple. The best way to contribute to a brand-new environment is not by trying to prove what a wonderful addition you are. It's trying to have a neutral impact, to observe and learn from those who are already there..."  -- from Chris Hadfield, An Astronaut's Guide to Life on Earth

Autant

That’s the point when we write anything really - learn from those who came before and leave something new for those who will come after.

Autant, began as a novel about why bees were disappearing, especially in Northern Alberta. I learned about bee keeping and kept a journal to store the experiential knowledge given to me by my uncle and maternal grandfather who were both beekeepers.  I transformed that journal into “a found item” in the novel.  Then I researched, everything.

I began by pouring through books about bee keeping, the communication between members of the same species, how bees see, their specialised chemical sense and language, different breeds of bees from all over the world, the magic of honey plus countless web searches that dealt with everything and anything bee related – medicine, mythology, random bee art, jewellery. You name a rabbit hole (or a bee hive) and I went there.

As the novel morphed yet again, I broadened my sphere of esoteric knowledge.  I read books about angels, compared religious iconography, mythology of angels throughout history, symbolism, healing practices Western and Eastern and arcane.  I went through scripts for different catholic masses (as ritual, as rites of passage, pomp ceremonies and feast days) deconstruct what it mean(t) (s) to be a priest, nun, saint, martyr.  I even tried to understand what Creator was and where he was amidst all this ritual.


I booked an appointment with my doctor to talk about heart murmurs, blood loss, migraines, falling from heights, fractures, trauma resulting from fright, knife wounds, sexual trauma, and a very specific blood disorder caused by deficiency of von Willebrand factor, a protein the blood needs for clotting.  When I arrived, Declan started the session with, “Is all this real for you or about you?” He was kind enough to give me his private email and a password to a doctors’ app for obscure and familiar medical episodes.  Saved us all a bunch of time.  Great guy my doctor!

 

Along the way, I quizzed friends on everything from the high they get from running to how to fix a toilet (personal necessity, but might come in handy). I ask one question, and most people don’t mind talking about what they do – then they will reveal why they love it, or not. (ps. if someone ever tells you what they do is too complicated for you to understand, they don’t understand what it is they do.)

Kim Echlin, for example, gave me the following anecdote when I asked her about the importance of research for two of her wonderful books.

"Elephant Winter": I spent some time with elephants at the African Lion safari which is near here. I visited Katy Payne near Cornell who described to me her discovery of elephant infrasound which she intuited have spent time studying whale communication with her husband but also because she had stood near the organ as a girl in a church choir and learned to perceive the pressure on the ears of very low frequencies. There is an "Elephant Managers' Association" which I called and found a few people, in circuses and zoos, who were willing to talk with me. Ironically, AFTER the book was out, people wanted to talk more.

The Disappeared: I had amazing luck with the research because I hadn't intended to write about Cambodia and had few contacts there. One day I was struggling with a trip between Phnom Penh and Ang Tasom, which I'd not done. In desperation I sent an email to an overland tourist bike company and asked if they ever travelled in that direction, would they snap a few pictures. I had no response, but a month later, I opened a huge file of photos and comments of the whole trip, down to plants and mountain ranges and markets. It was an extraordinary gift.

Well, there are a couple of stories--the research is intriguing."

…and I would add, the research is necessary, because an engraver is to a sculptor what a writer is to an author.  An engraver scratches the surface, a sculptor reveals.  A writer scratches words onto paper, an author uncovers the image that was there all along, struggling under the weight of your own ignorance.  Ignorance can be removed, with research.

PauletteDubeBW1

Because her parents “made it to a hospital on time,” Paulette Dubé was born in Westlock, Alberta. Growing up in the French village of Legal, she watched her third sister being born on the kitchen table and was hooked on “magic,” as her dad called it. Today, she relies heavily on the good fortune of living in Jasper National Park with her family for her daily dose of magic realism.

Talon, her first novel, made the shortlists for the 1999 Canadian Literary Awards, the Alberta Writers’ Guild Best Novel Award (2003) and the Starburst Award (2003). Her poetry garnered a number of rewards including the Milton Acorn Memorial People’s Poetry Award (1994), the CBC Alberta Anthology (1998) and the CBC Literary Awards (2005). Her most recent book is the poetry collection, Gaits (Thistledown, 2010).

Testimonials

Christine Fischer Guy

"Gail’s model suited me right down to the ground, exactly the right combination of close reading, thoughtful feedback, and enough space to work these questions through in my own time. She’s an intelligent and experienced manuscript midwife with an uncanny ability to see to the heart of what I was trying to do. I appreciate her guidance immensely!"

-- Christine Fischer Guy author of The Umbrella Mender (2014) and The Instrument Must Not Matter (2026).

Christine Fischer Guy

Tara Gereaux

"Gail is an incredible editor. She has an innate ability to understand what I’m trying to do with my writing and to help me see what I need to do to get where I want. The best part about working with her is her supportive, encouraging approach. She’s a writer, she gets it – she knows how hard writing can be – but when I’m working with Gail, it always feels a little bit easier and a little more fun. Can’t recommend her highly enough."

-- Tara Gereaux has published two books of fiction and was the recipient of the Colleen Bailey Memorial Award from the Saskatchewan Foundation for the Arts, and a REVEAL Indigenous Art Award from the Hnatyshyn Foundation.

Tara Gereaux

Matthew Hooton

"Gail's developmental edits were superb. Her attention to the manuscript's structure, to themes and emotional resonances, and to the character creation were at once challenging, sophisticated and encouraging. And she draws on a range of excellent resources. I've not seen anything quite like it in twenty-five years in the industry."

-- Dr. Matthew Hooton, author of Deloume Road, Typhoon Kingdom, and Everything Lost, Everything Found, longlisted for the ARA Historical Novel Prize 2025. Dr. Hooton is a lecturer at the University of Adelaide.

Matthew Hooton

Jessica Waite

"Gail is the total package: brilliant writer, keen-eyed editor, ace story architect, and warm genuine human. The structural foundation she taught saved me years of floundering in the dark. Thank you Gail!"

-- Jessica Waite, author of the Widow's Guide to Dead Bastards,  one of The Globe and Mail's best 100 books of 2024.

Jessica Waite

Darcy Friesen Hossack

"By the end of the first draft, I'd rediscovered colour in a world that had faded to black and white. I can not thank Gail enough."

-- Darcy Friesen Hossack, Danuta Gleed runner-up and Commonwealth Prize-shortlisted author of Mennonites Don't Dance  and Stillwater.

Darcy Friesen Hossack

Kelly S. Thompson

"Not only did Gail help me to polish my prose, but she also showed my how to believe in my own work, how to play, how to explore language with the writer's tools. What a gift, to have someone champion your work in a way that makes you, the writer, feel seen."

-- Kelly S. Thompson, national bestselling author of Girls Need Not Apply: Field Notes from the Forces.

Kelly S. Thompson

Lise Mayne

"Time Enough became the novel I longed to create thanks to Gail’s expert advice and encouragement. Gail helps writers find the heart of their own story, the mark of the very best teachers. I highly recommend her as a professional mentor and a sincere guide."

-- Lise Mayne, author of Time Enough.

Lise Mayne

Elle Wild

"Gails fiction course was the best class I have ever taken. Full stop. Her notes and analysis were invaluable and I still use the creative exercises she shared with us."

-- Elle Wild. #1 bestselling author of Strange Things Done and winner of the Arthur Ellis Award for Best Unpublished First Crime Novel.

Elle Wild

Maia Caron

"Perhaps there's no greater proof of a manuscript editor's work than when the writer they mentor gets a publishing contract, but what I found most valuable was applying Gail's insightful comments when I began to plot a new book."

-- Maia Caron, author of Song of Batoche

Maia Caron

Daniel Griffin

"Gail has been a great help to me for many years, reading my novels and stories and providing practical, clear and meaningful feedback. Her focus on the structure of a story, its arc, the conflict that drives it and the development of characters and their transformation has been invaluable."

-- Daniel Griffin is the author of Stopping for Strangers and Two Roads Home.

Daniel Griffin

Leila Marshy

"I've been writing my whole life, but in the past two years I can say that Gail has pretty much taught me everything I now know. I am convinced that without Gail's ministrations, my novel The Philistine would not be enjoying its current success"

-- Leila Marshy, author of The Philistine.

Leila Marshy

Nerys Parry

"(Gail's) greatest gift is her passion. She truly loves the craft and throws her heart into her work as not only a teacher but also as a coach and inspiration to aspiring writers. She always knows just how far to push you without breaking you, and if you let her, she can help you become a far better writer than you ever imagined..."

-- Nerys Parry, author of Man & Other Natural Disasters, a finalist for the Colophon Prize and tied for seventh in the Giller Prize Reader’s Choice Awards.

Nerys Parry

Jennifer Manuel

"Gail has a firm grasp on what effective mentorship looks like: supportive, challenging, fully engaged. Immediately Gail got to the heart of my novel’s problem and then worked with me to find possible solutions, pushing my craft to a higher level and deepening my understanding of narrative structure. It was nothing short of a shattering breakthrough.”

-- Jennifer Manuel, author of The Heaviness of Things That Float

Jennifer Manuel

Liisa Kovala

"Working with Gail during an early stage of my historical fiction manuscript was like taking a masterclass. Both my novel and my skills as a writer improved through her guidance. Best of all, Gail is not only knowledgeable about everything to do with writing, she is also delightful to work with."

-- Liisa Kovala, author of Surviving Stutthof: My Father's Memories Behind the Death Gate and Sisu's Winter War.

Liisa Kovala

Emily De Angelis

"Gail was knowledgeable, thoughtful, and kind as she coached me through the process. Her feedback validated my journey and help me to move forward with my story in countless meaningful ways..."

-- Emily De Angelis, author of The Stones of Burren Bay.

Emily De Angelis

Maggi Feehan

"Gail is nothing short of an editing genius. She has the rare ability to give feedback laced with compassion, appreciation and respect... that will inspire you to go back to the page and transform your narrative, words and characters in truly remarkable ways."

-- Maggi Feehan, author of The Serpent's Veil

Maggi Feehan

Kimmy Beach

"I'm so happy I chose Gail as my first foray into the world of hiring an outside eye. I've loved her work for ages, and hoped her insight would take my new project where it needed to go. I'm overwhelmed with gratitude (and work!). Thank you, Gail. You 'get' me."

-- Kimmy Beach, author of The Last Temptation of Bond.

Kimmy Beach

Chris Tarry

"Working with Gail has become the measure by which I rate every workshop I've taken, or will ever take. And she has set the bar impossibly high. To study with Gail is to understand the plight of the Apprentice Writer, to take solace in her direction, and to witness one's growth in virtually real time."

-- Chris Tarry, four-time Juno Award winner and author of How to Carry a Bigfoot Home.

Chris Tarry